Picture Story: bear ride

I needed an illustration for January for my calendar. We have the four seasons here in Michigan, so, January is usually a picture of something cold and snowy, because that's what it is. Somehow I decided on a girl and a bear trekking through the snow for the picture...

And so it was sketched:

Then sketch was scanned in photoshop, converted to a blue page. That was printed, 

inked, scanned into photoshop and cleaned up and converted into  a file...

That file was filled with color and then printed off to be colored by hand.

 Once the entire page was colored it was scanned into photoshop.

 Where I began to add other elements, like the snowy ground and the sky...

The sky needed a little more visual oomph, so, I added a layer of a 

scan of one of my paintings: sunkissed alchemy phantasmagoria

There was snow on the ground, so there should be snowflakes in the air. 

The issue was to leave them behind or on top of the girl & bear...

 I decided to leave the snowflakes on top, so, I selectively deleted some of them...

And there it is: bear ride

You can find "bear ride" at sarahkdesigns or sunshinesight

Tales from the lost weeks of December...

Yes, I know, I missed a few weeks... I've been working on the illustrations for the calendar.

I essentially have 2 weeks to finish 4 illustrations. Yes, ha! I know.
So, anyway, I will be here:

a lot...
Because that's my office / studio / living room where I spend more of my non-sleeping, non-working, waking hours. And in the next 2 weeks I will be there a lot illustrating.
Yes, I know, it's a busy place. I wouldn't have it any other way.

So, get your Christmas shopping done, get your holiday baking done. Maybe clean a little, make sure you have the decorations up, and be ready to relax come December 26... I know I will.

In the mean time you can check out the pictures I've finished:
bear ride
follow your heart
raccoons & the refraction tree
cloudia
summer flight
owls & ghosts
the rainy fox
chillin'

November? You were barely here...

November is one of those months that just zips in and out, or so it seems... So, did you vote? Of course you did. I did too. I always do. 

The polling place is about a mile from my house, and I have a history of showing up at the wrong times (when I don't have to stand in line for 20 minutes is when I consider it to be the right time)... so, instead of showing up:

 when it opens - people on their way to work are there then...

 9am-11am - people who run errands and shop are there then...

 noon - lunchtime - everyone is there then...

 after 3pm - school is out, workplaces begin to close...

So, sometime shortly after 1pm seemed like a safe option. Ha! I stood in line with 100+ other people for 45 minutes.

For the record: I'm a democrat, I've always been a democrat. So, you know, in the 3 whole minutes that it took me to actually vote — I filled in the circle next to Barack Obama and Joe Biden. Would have taken less time if the lead in the #2 pencil hadn't been broken. Yes, we have scantron style ballots. No levers, no punches. Just a bunch of adults filling in circles on a piece of paper.

Anyway, that's done.

Are you still reading this? Good. Because that last paragraph wasn't the end of the world, and I'm pretty sure I've mentioned my political leanings before... 

Anyway, November, I hardly know ye as a month, because you fly by every year while I'm trying to wrap up a bunch of illustrations. Yes, I have 6 illustrations to finish for the calendar — and I only managed to totally change my mind on a couple of them at the last minute and totally start over from scratch, ha!

So, in all honesty, there's nothing that looks super exciting about the sketch phase. Plus, my current sketchbook sat in the trunk of my car and I pulled it out because I ran out of sketchbooks, and well, the paper is kinda lumpy. It's usable, but warped... the usable part is the important part. So, yes, sketching and scanning and inking scan print-outs is what I have been doing fiendishly for the last 2-3 weeks, when not sleeping or cleaning.

I finished these back in June - for father's day.

male eastern bluebird

female eastern bluebird

It was interesting to take renderings that I had done at a certain scale and blow them up to fill in the details. Technically, it's something I do all the time, up until I started these - I hadn't drawn any birds that were quite that big.

I have some other bird portraits on the docket, but that's all on hold until I finish the calendar. So, I guess I should get to work finishing those pictures, and then maybe Christmas will be here and done and over with, and I can finally just relax, right? Until it snows and I have to drive to work in it...

Anyway, Thanksgiving is tomorrow — so HAVE A HAPPY THANKSGIVING!

Picture Story: the rainy fox

Hey, have I mentioned the calendar? Yeah, I know. It's kind of my fixation for the until 25 December. So, one illustration was completed last week and now I've finished another.

The rainy fox started out as a sketch that I drew while waiting to get an oil change for my car... I scanned the sketch, printed it as a blue page, inked the blue page, and scanned that back in and made it into a file.

There's a decision that I made about this illustration: no outlines. In my pre-digital illustrating days — objects in pictures never had outlines and everything was rendered by hand with colored pencil... somehow when pen & ink enters into the picture - there end up being outlines, and I decided that this picture would be outline free — so I "blocked" my picture so that it had no outlines. Blocking is a fairly arbitrary process - you just fill the parts of the picture with color. And I guess color schemes are just kind of inherent, at least they are to me. Even if I'm not precisely sure what I think a picture should look like when done - I have a vague idea of the colors, tone, mood, and presentation... 

You know, the sky isn't aqua blue with white clouds, and the ground isn't peacock green.

Since it's the picture for November — the original sketch has some raindrops penciled in, and "the rainy fox" is scrawled across the bottom of the page. So, when it came time to fill in my blocked file — I picked photos of leaves on the ground and a scan of a watercolor that fit that mood and then superimposed them over my layer of color blocking.

The tree is always the truly labor intensive part of the picture. I select some of my digital photos of tree bark and manipulate them in photoshop to turn a couple photos into a full tree.

So, once I have the colors the way I want them, and the layer overlays of photos or paintings for texture or effect — then it's time to print that image in order to draw over it with prismacolors.

I started by coloring in the details on the fox.

And then I gave the tree the illusion of dimensionality...

 And then it was time to color in the clouds and add the rain...

So, in the end, what started as a sketch becomes a full color illustration:

the rainy fox — Sarah Knight

Picture Story update: lightshine

Procrastination — who doesn't? Maybe people with personal planners who worry about schedules or something? Well, I'm not one of those people I guess. So, in theory, I took the week off from working on the calendar. I mean, last week I finished the second illustration (only 10 more to go). But there was something about the next picture on the docket that I'm just not ready to commit to or in the mood to work on, so I'm going to shove that to some far off back corner of my mind until I generate a solution — not unlike one of those 'moments' on House - where Wilson would be blathering on about something and House would have that epiphany about exactly what malady or combination of maladies the patient had.

So, on a whim, I decided that instead of plowing through another illustration I was going to rework something that had always bothered me about one of my older illustrations...

"lightshine"

 the original version...

and the new and improved version:

It wasn't really until 2002 that I started illustrating in a fashion that involved a lot of photoshop. Before then everything was colored pencils and bristol. Sketches were transferred from my sketchbook to the bristol via tracing paper, and well, that was it... and then time marched on and now I end up interfacing a lot of things on the computer. Technically, I guess it saves me the trouble of drawing the picture 4 times before I color it (sketch it, trace it, color the back of the trace, draw the trace onto paper)...

So, it was in June of 2009 that I made "lightshine." And it was my first endeavor with computer generated sunshine. The original looks okay and all, and I vaguely remember how I formatted the whole thing, but I was never exactly thrilled with how it looked.  It was very flat and thin and like two-dimensional. Plus I played with feathering, blur, and layer styles — probably for the first time.

It was later in November of 2009 when I was working on penguin pals that I took a more calculated effort in making rays of sunshine:

 This is how it began (above) — and after some toggling with tools and copying, pasting, and rotating — this is how it looked:

These were my initial efforts, and they ended up here:

 penguin pals

 You see those 4 lines there — that emanate from the sun? They annoy me. Something wasn't quite aligned right or sized right...
I would subsequently remake the file for the sunshine into this:

Very "Wizard of Op" — I know ; ) That is, btw, like the coolest book I read as a child.

Anyway, that was the fix that I used when I was working on what I think of as the sunshine illustrations, which include this:

yellow warblers sunshine song

Subsequently, when I decided to fix the sunshine on lightshine some 3 years later — that's the file I referenced. So, now I'm happy with the way the picture looks. You can check out the new and improved "lightshine" here.

Yeah, so now I guess it's time to get back to illustration 3 for the calendar...
Have a lovely weekend!

10 things...

George Harrison — "Om Hare Om (Gopala Krishna)"

I washed my car today, so I guess you can expect rain.

Episodes is an awesome show, well worth a subscription to Showtime.

Redid my sarahkdesigns banner for the umpteenth time.

Made a treasury.

Folded laundry yesterday, significantly reducing the pile of non-matching striped socks atop the dryer.

Got up early yesterday to work on a project...

Ended up working on something else:

Finally made the appointment to get the oil changed in my car & maybe new tires.

Realized that I have less than 4 months to churn out 12 illustrations for the calendar. Eef.

Picture Story: calla lilies & tree swallows

calla lilies & tree swallows

Of all the pictures I have ever created, this one has always been my favorite. Shh, don't go telling my other pictures, they'll be all jealous and stuff.

With the exception of the birds — I drew the sketched the entire composition... and then followed the process of converting the sketch to a blue page, inking that, printing out a color fill and then coloring that with colored pencils, and well, a whole bunch of editing... you know, that same paragraph I type up virtually every time I explain how I translated a sketch into an illustration.

Yes, this was once just an outline on a white sheet of paper, before it was an entire production combining a digital scan of a painting, a digital scan of a colorized print-out of my calla lilies, and a digital scan of my drawings of tree swallows.  The tree trunks and the leaves were done with photoshop filters - as this picture pre-dated me owning a digital camera (otherwise I surely would have photographed some tree bark).

Anyway, there are 2 things I remember most vividly about this picture.

One is that I re-edited the calla lilies about 3 times, because there was something that I just didn't have right about the outline around them - and actually ended up mostly painting in the outline in photoshop until I was happy with it.

And the other is that the tree swallows were the first set of birds that I simply drew out on bristol - absent of any actual composition, to scan and cut.  Back in the olden days - when I created an illustration I drew the entire thing on one sheet of paper by hand... this was really the first time I drew the parts separately and put them together.  These were literally the first bird graphics that I meticulously removed from a white background in photoshop.

It's a strange thing to remember - but it's what springs to mind the most when I look at this image - as it was a point in a learning curve.

Anyway, calla lilies & tree swallows has always been one of my favorite illustrations, albeit simply for the visual.  It's intricate choreographed chaos.

Picture Story: nectar

I think that illustrations are often self evident. That's why they're illustrations. And that's what I do - I illustrate. So, I realize, when I talk about my work, instead of explaining what is in the picture or why it's there - I tend to talk about how I illustrated it.

So, on to the obvious: "nectar" is a picture of ruby-throated hummingbirds eating the nectar of fuchsia. Ruby-throated hummingbirds are native to the eastern United States, for most of us on this side of the country - they're the only species of hummingbird around. They show up here (in Michigan) in May or June and usually hang around until September, when they fly South for the winter. Ruby-throated hummingbirds have a head and body that are green and a white underbelly, only the males have a ruby-colored throat.

Contrary to the depiction in this picture - this species of hummingbird is very territorial. I have never seen 2 of them aware of each other at the same feeder or plant at the same time. However, you can find videos on youtube of multiple ruby-throats in the same feeding area at the same time coexisting peacefully... that just doesn't happen in my yard.
This clip has music - but this is what it sounds like on the back porch all day long: http://www.youtube.com/watch?v=twqrrlAEHf8 Just tiny little birds fighting and squawking over the sugar water (often referred to in this household as 'bird koolaid') in the plastic container.

"nectar"

"nectar" was one of my first experiments with coloring over a printed image. The fuchsia in the picture were actual flowers that I photographed. I then edited the backgrounds out of those photos, combined several photos together and adjusted the color on the image I had created. I printed that out and colored over it with prismacolor pencils, and then scanned that and edited it as the base of my illustration. The background is based off one of my photos of the sky. I adjusted the colors and then merged it with a color layer to get it the shade of aqua I wanted.

And the hummingbirds were also an experiment in coloring over a print out. They were originally drawn in pencil. And that was scanned and printed as a blue page — and then inked. And then I colorized the ink outline and printed that out and colored over that in prismacolors, and then scanned that back in and made another print out. I colored over that print out — adding details, and then scanned that back in and 'cut' the hummingbirds out of the background.

And then I added the hummingbirds into the illustration, in a layer that was above the sky but below the fuchsia.

I know, I know, the boring technical stuff is only remotely interesting to me.

Since it's August, I come home from work every morning to the sound of a 'bird fight' taking place on the back patio... and I imagine this squawking and fighting and chasing and otherwise all-out territory dispute goes on until dusk. They're lovely creatures and they're complex.

And when I go out on the back porch to do something I am often reminded that I am interrupting their visit. The hummingbird will just pause and hover and look directly at me, and then jut forward, and pause and look at me again, and then decide whether it's on to the feeder or to quickly buzz off to go sit on the edge of some nearby leaf and wait for me to leave... like as if I'm not the one who keeps making them more bird koolaid or something.

Yes, they're complex creatures.

bird brooches

I think about making stuff a lot, I suppose. And sometimes it takes me years to getting around to finally executing an idea, and sometimes something just gets done. So, last weekend was one of those 'just do it' kinds of weekends.

I decided I wanted to make brooches. Now, I'm not exactly sure precisely how I arrived at this conclusion, but I found myself standing in an aisle at the craft store buying a baggy of wooden shapes and then standing in the jewelry findings aisle looking for pin backs...
and well, now I have brooches:

Yes, so, I opened my baggy of wooden pieces and sorted them... and then picked the biggest ones and measured those... and then made a file of that size... and then spent a good hour opening files and copying and pasting and combining until I had at least 30 bird portraits...
And then I printed those out and cut them apart and began the odyssey of production... I painted the fronts and sides of my wooden pieces with black acrylic paint... and then I found my snazzy Elmer's craft bond glue stick (because I have used a lot of glue sticks - and unless it's paper to paper - glue sticks are a nice idea but not a great adhesive) and got to work gluing my printed pictures onto the front of my wooden pieces... and then I pulled out my jar of satin varnish (because, honestly, satin is the most desirable finish — not matte, not high gloss) and gave each tile a good 2 coats of varnish...
Amusingly, okay, so maybe it's really only funny to me - while I was doing all this I was sitting there at my desk watching "The Nine Lives of Chloe King" via the internet.

And then I took them outside on the back porch and proceeded to apply pin backs with a generous helping of E-6000 glue. Oh, yeah, it's industrial strength - and so is it's odor. E-6000 must be used in a well ventilated area and whatever it has been applied to should be left in a well ventilated (or open) area for at least 24 hours for some of that pungent odor to dissipate. Yes, not everything about craft projects is all sunshine and sparkles.

And then, of course, I had to photograph them... Now, as it turns out, I made 30 brooches, since 30 is the number of picture fronts I could fit onto a sheet of paper (and there happened to be at least 30 of the same sized pieces of wood in my little baggy). I mean, when I started I was just going to make like 3 to see if they turned out well enough to be viable... and yeah, by the end of the day I had made all 30.

Apparently, I cannot do things in moderation.

So... I have them listed on Etsy at sarahkdesigns


and on Artfire at "SunshineSight"


So, get some art on that lapel : )

for the birds

I spent the weekend working on a spur-of-the-moment project (I mean, you know I thought about it for like 2 whole days before embarking on it, technically)... so, hopefully I'll be done with it soon, and then I can get back to the butterfly mobiles.

It's been hot out, apparently so hot that we had our first power outage of the summer. Yes, you know because I had just arrived home from running errands - it was like 80˚F - and I went to put the cold groceries in the fridge and was surprised that it was dark in there. And then I looked around at the rest of the kitchen and noticed the clock on the microwave was blank, etc. Fortunately it came back on within 2 hours...

Anyway, there's a male cardinal out in the yard pining for some company. We had 2 of them out there the other day chasing each other around and otherwise jockeying for territory... at least cardinals have a pretty song (as opposed to robins which always just sound like they're yelling).

what they sound like: http://www.youtube.com/watch?v=C9LNexIoCW0

This is one of my cardinal illustrations: cardinal couple
It was part of the project that I have been working on this weekend.
Here's a little preview:



Yes, it involves my bird illustrations (which you can see at sarahkdesigns)
or
if you're more curious...

There's a cool giveaway at danielleorama's blog, that bunny is adorable :D

Now I think I'm going to sit here in front of the oscillating fan and catch up on Haven (season 1) - which I have been watching via dvd. It's an awesome show.

Hopefully you had a lovely weekend : )

butterflies

I think everyone has a romanticized version of themselves. Like if you had to define yourself as a person - the words that you would choose are a projection of the qualities that you desire... and to some extent every person thinks: I defy labels. Really, we don't, but we all think that.

Labels, of course, are subjective.

So, what I know is that I probably have little use for "the rules," whatever those might be. If you've visited this blog semi-regularly, you may have noticed that there is a lack of format (which, unless you have OCD and you check here daily) is due largely to the fact that I do a blog entry when I actually have something to share, as opposed to having a format.

I don't desire to abide by a format in my free time, which I consider this blog to be. Formats are just like rules, and usually they're kind of arbitrary and eventually they get boring or feel like an obligation. Obligations come with expectations and guilt, particularly when expectations aren't met... and I like to avoid that. Formats also involve a time table and repetition. I'm not really a format kind of girl.

When I was a child I had a lot of toys, particularly Barbies and Cabbage Patch Kids. And one day I was downstairs playing in the Barbie Section (that was the name of the area in the basement that had been apportioned to me & my sister as a play area) and realized that I had no desire to be a doctor or a lawyer or an astronaut (or whatever the third rung of that analogy is supposed to be). My childhood ambition was either to be a princess or a hairdresser...

I mean, I styled a lot of doll hair, and I had all the latest dolls from Herself the Elf, Rose Petal, Hot Looks dolls, Strawberry Shortcake, She-Ra dolls, Golden Girls (not the sitcom), Barbies, Maxie dolls (like Barbie), Jem and the Holograms... some of those probably also account for my princess aspirations (besides the fact that princesses had pretty dresses)... Anyway, I am neither a princess or a hairdresser.

I'm not a goal-obsessed person. That's probably why I got that art degree.

So, every now and then an idea for a 'thing' will pop into my head. And I may write it down or draw it in the back of my sketchbook, or I might not. And if I just remember it - that's fine.

So, for a long long time I had this idea about a project with butterflies, and really, I didn't sit down and meticulously plan out the details... I just finally did it. So, one Saturday morning one of the showtime channels was playing "Ripple Effect" and I sat there and sketched out butterfly wings... and realized that I think that Forest Whitaker plays phenomenally annoying characters (yes, I've seen the Criminal Minds spin-off).

And eventually, I scanned those and inked them, and scanned those, and made a 'body' and then 'antenna'... and piece by piece, slowly, and perhaps organically the project finally came together. And I realize that I tend to think of my work in process terms - like I scanned that, inked that, etc — because generally, those are the givens. The colors, the shape, the composition — I think of those as simply being inherent and I suppose, beyond explanation...

And sometimes I think things have amusing and unintentional parallels and connections. Because to 'colorize' the butterflies — I used scans of my watercolor paintings. And perhaps, when you were a child you had a watercolor set and made a butterfly by painting half and then folding the paper in half and pressing it together. I don't remember ever having done that at home — I actually only remember doing it in the fourth grade...

But then, I paint watercolors that don't follow "the rules." According to the rules - if you use some sort of gimmick - like salt on watercolor - you should do it sparingly, just in an area or something. Oh, pfft to that thinking.

When I paint with watercolors, other than knowing that I will be using paint, salt, water, paper, and a brush — I don't plan my compositions — they happen. It is what it is, which must be very wrong to the people who will tell you that there are rules...

So, I finally finished* the butterfly project that I've been thinking about for about a year now.
*finished is a relative term.

morning dew fairywing

rose madder majestic

morning aurora swallowtail

You can see the rest of them at my sarahkdesigns shop as they trickle into the butterfly section.
I suppose if I had planned it and put it on a time table - it would have been done a long time ago. But, that's just not how I work.

Now, since this is the last day of my 'vacation' — let's see which new project gets my last day of vacation, so I'm relaxed and focused attention. Will it be the calendar graphics, the bird project, the dancers, the 'portraits,' the watercolor over photographs, or the girls? Or, maybe I'll finish cleaning the living room. Okay, yeah, the living room probably isn't going to win that one.

Have a lovely weekend, and do whatever is going to make you happy : )

Picture Story: spring sing

Technically, I was on vacation this week. Vacation, as it turns out was mostly about sleeping and not having to wake up at the sound of an alarm clock. Plus it was about getting some work done on some projects that I have been procrastinating on for a long long time. I am a hell of a procrastinator. But, I did finally take all the snowflakes down — my winter decor consists of my ginormous collection of plastic / resin glitter covered snowflakes (see this post for my hilarious prediction).

Anyway, now I have to hang the butterflies and the hummingbirds... which I just haven't quite gotten to yet.

In the mean time — a picture story: spring sing.
I finished this illustration in the spring of 2009 (see last graphic), but I probably technically started it around 2005. This first graphic is actually a painting. It was painted with acrylics with details done in prismacolor on illustration board. The original is actually 11X14 inches. But via the magic of a scan and a size format change in photoshop it became an 8X10.

What I actually did was I flipped the image horizontally, and then lightened the resized copy of the painting in photoshop and then printed that and drew an outline around everything. Then I scanned that outlined copy and adjusted the file until all I had was the outline on a white background.

When I have an inked copy, then I make a sample fill of every part as a separate layer. So I fill all the tulip flowers with one color, all the petals with one color, the grass, the tree trunks, the leaves, the sky, and the clouds. Because I am going to use scans or paintings or drawings, or digital photos to actually fill in the those parts.

This is a size reformatted portion of a scan of an 11X14 acrylic painting called "geranium sunrise." It's what would eventually become the background of "spring sing." Of course, I had to reformat it 8X10, and then I would go on to lighten the entire painting by creating a layer of white, playing with its opacity and then merging that to the layer of the scan of the painting.

The yellow warblers that appear in the painting were drawn separately. They were drawn with prismacolors. That drawing was scanned, and all the white space was removed. The clouds were created using the paintbrush in photoshop, and then using a layer fill style over the background. The sheet music that appears in the background was scanned, and then manipulated using the warp tool so that it is wavy instead of linear.

The leaves of the trees were created from a digital photo that was manipulated and resized. The original image is actually of maple leaves on the ground. The tree trunks were created from a layer I created by layering several different colors with several different brushes and then using filtering effects in photoshop.

The grass was also created from a photo. It's actually a picture of the grass in my neighbors yard (and this particular photo has been used in a number of my illustrations when I need grass, which I always think is kind of funny since my neighbor will mow his lawn on a diagonal and this shot is clearly of some grass that hasn't yet been cut) . The tulip flowers and leaves were both taken from the same scan that was used for the background.

And through the magic of layering styles all these things come together to create the illustration. You can see the finished piece here in my "sarahkdesigns" shop on Etsy.

If you're anywhere near Tecumseh, Michigan: Friday 29 April 2011 is the annual Tecumseh Art Walk. I'll be at Timeless Stitches, so if you're in town, then please stop by. The event is 6-9pm.

I hope everyone is enjoying their spring : )