So, in the first week of December I had 2 out of 12 calendar graphics done... and sometimes that means that I flip through the old sketchbooks and look for things that I drew that I never quite got around to finishing. I needed a picture for January, stat.
I think I had some idea about a girl and a snowman sledding. But I was out of time to sketch new ideas...
The snowman with the kite was what I found. There's a note at the bottom that says "for January 2010." What that actually means is that I sketched this in 2009, and was thinking it could be one of the graphics for the 2010 calendar.
I scanned the sketch, converted it to a blue page and printed that. I inked the snowman and the kite, but nixed the birds (which were supposed to be bluejays).
Now, the snowman is wearing a scarf and a hat, so I needed something to fill those in with... this scarf appears in a lot of my winter pictures, like this one.
sapphire sunshine alchemy
For the sky - I wanted something more than just a photo of clouds. So, I decided to combine a scan of one of my paintings with a photo of the sky. I picked "sapphire sunshine alchemy." I played with the color settings and changed out the magenta and yellow - and made the layer more saturated with blue... and then used some layer styles to combine it with a photo of clouds.
"winter winds"
@sarahkdesigns
And this is what the finished picture looks like, of course after I filled in the snowman, the snow, and the kite. And that became the graphic for January 2012... so it only took me 2 years to get around to executing it, ha.
Technically, my illustrations may be digital, but visually, they are an accumulation of physical things: drawings, photos, paintings, a scarf... and then there are all those snowflakes in the background that I designed individually. There's a point at which making the picture seems mechanical: draw it, scan the drawing, convert that to a blue page, print it, ink it, scan that, block the scan, and then start filling it with bits and pieces of digital files - like photos or scans... but all that stuff comes from somewhere. I actually stood out in my backyard photographing the sky on some summer day. And I actually went out and took photos of tree bark - which were what was used on the arms of the snowman.
Anyway, it snowed here in Michigan for the first time in 2012 just yesterday. It's pretty, but I would rather not have to drive in it. I guess I like my snow better when it's on paper. At least then I don't have to scrape it off my car.
: )
Technically, my illustrations may be digital, but visually, they are an accumulation of physical things: drawings, photos, paintings, a scarf... and then there are all those snowflakes in the background that I designed individually. There's a point at which making the picture seems mechanical: draw it, scan the drawing, convert that to a blue page, print it, ink it, scan that, block the scan, and then start filling it with bits and pieces of digital files - like photos or scans... but all that stuff comes from somewhere. I actually stood out in my backyard photographing the sky on some summer day. And I actually went out and took photos of tree bark - which were what was used on the arms of the snowman.
Anyway, it snowed here in Michigan for the first time in 2012 just yesterday. It's pretty, but I would rather not have to drive in it. I guess I like my snow better when it's on paper. At least then I don't have to scrape it off my car.
: )
